Wednesday, August 30, 2017
I realize that I say that so often now. That I experience things that I have a hard time accepting for one reason or another.
The fact that my mom doesn't know who I am; that feels surreal. As though in some parallel existence my real mother exists and she is still able to take the train up to visit me, sit and talk to me at the kitchen table about how crazy it is that my oldest daughter is a senior in high school. And so every time I see her sitting in her living room, watching Bonanza reruns and asking me over and over again where I live, who I am, why I'm there, it is as though I've been cast in some absurd play without ever having auditioned.
The fact that my oldest child is a high school senior is also surreal. Is it possible that I'm old enough for that? That she is? Even though it feels like I've been a mother forever - it almost feels like I've never NOT been a mother - it couldn't possibly be accurate that Eve is almost 18, that this year we will visit and apply to colleges, that next year we will move her in.
I haven't imagined these moments, I guess. Maybe that's what it is. I haven't sat and wondered what it might feel like to be without a mother or to be without my daughter. Is it that, because I can't picture myself here, because I haven't turned these scenes around and around in my head, tried them on for size, pulled them off and tweaked them a little bit and put them back on that I am having trouble believing they're real?
I don't ever remember feeling like anything was surreal as a kid. I don't really remember imagining how things would turn out, though. Maybe as a kid the world seemed so unpredictable, so full of possibility or so fully out of my control that I couldn't begin to compare reality to what I had expected. Even as things happened that were unexpected or unwelcome, as a kid, I simply accepted what came and tried to figure out how to respond. Ignore? Run for cover? Adapt and move forward?
I wonder if it has something to do with the way the child brain works - that it is concrete and so just takes what comes. Adolescents develop the ability for abstract thought, and as we age, we also begin to believe that we can control things in our lives. Maybe "imagination" is the wrong word. Children have spectacular imaginations that are often unbounded by any sort of reality. But as we get older, the kinds of things we imagine center more around ourselves and our desires and our expectations. So maybe surrealism comes as a result of life looking significantly different than my expectations - especially when what I'm presented with is difficult emotionally or something I wouldn't have chosen to spend time thinking about or planning for.
The seduction of the surreal is that it doesn't beckon me to spend much time there. At least not in these two scenarios. I am not fully present when I experience these things because I don't truly want to be there, so perhaps it's a trick of my mind that is trying to tell me I can deny it by labeling it that way.
There have been other moments in my life that feel similarly dream-like that were exhilarating and pleasant, and while they had the same qualities, those were moments that I bathed in, savored, chose to fully experience. Several years ago, Lola and I paraglided off the top of a mountain in Jackson Hole, Wyoming. The ride lasted about 15 minutes and from the second we strapped in and started listening to the instructions, I felt as though I were outside myself. As the wind caught the parasail and lifted my feet off the side of the mountain I pulled my consciousness back inside, tethered it, and focused on each breath in an effort to capture the experience as deeply as I could. I knew it was going to be over before I was ready, and I was determined to pay attention. I will never regret doing that because it remains one of the most amazing things I've ever had the good fortune to do and I'm thrilled that I really took the time to be there while it was happening.
Maybe I need to do the same during other times when I feel as though I'm out of my element. As painful as it is, choosing to be fully present with my daughter and my mom during these moments that I couldn't have imagined or prepared myself for emotionally could mean the difference between simply enduring them and finding some grace in them.
Tuesday, August 08, 2017
The house I am staying in is on a spit of land with a westward view of a bay and another spit of land. All day long, I could sit on the deck and watch the birds – gulls, heron, eagles, ducks – fish and splash and swim in the shallow, sandy bay. And just beyond it, on that other long finger of land, cars and trucks come and go, with the occasional knot of bicyclists and the rare jogger. There are no homes (yet) on that slim finger that is just to the west of where I am, but this morning, I woke to the bones of a crane just forming through the fog, so I know it is only a matter of time.
There are homes in the webbing of the finger, though, the crotch of land that connects that spit to this one, and they are huddled close together with some clusters of wind-sculpted evergreen trees. Sitting on the deck this morning, peering through the thick mist, I am pleased that I can see far enough in front of me to watch the gulls scoop up clams, fly 40 feet up into the sky, and drop them on the rocks beneath to reveal their soft insides. Breakfast. I squint to see the houses just to the west and wonder if, from their vantage point, it is as foggy and grey as it seems to me from here, or whether they, too, have a clear visual field in front of them and I just can’t tell. Optics.
I wonder if we all assume that our vantage point is the Right one. From here, I think those homes are cloaked in fog and mist. I imagine looking out the window of one of those homes to see nothing but grey. But maybe that’s not accurate.
This morning it is so quiet that I can hear the flapping of the gulls’ wings as they rise out of the water. It is the sound of effort, of forward motion, and it prompts me to tighten the muscles of my belly as though I, too, am rising, pulsing my arms to lift myself. I think about how satisfying it feels to be tensing muscles, using my own strength to move. If I could think this way all the time, I would be better at going to the gym. I would have less cellulite and more stamina. Maybe what I need is to live someplace with this view all the time – watching these animals work to live in a gorgeous place. All of their movements purposeful. I am the kind of person for whom going to the gym feels artificial and contrived and there is little that makes me more aggravated than falsehood.
Often, this morning, the peace is punctuated by gunshots. The first one came solo and prompted me to think that some angry gardener was dispatching one of the rabbits that outnumber people on this island. Perhaps he finally got tired of sharing his bounty with the fat bunnies feasting on his labor and leaving droppings in every patch of grass available. Gunshots are nearly always associated with ‘he’ in my mind. I know that there are women who shoot guns. Women who garden and get annoyed. And it’s not unimaginable in this place where yesterday I saw packs of dirt-stained children wrestling in open areas, wandering up to strangers to talk and pet their dogs, women with three or four of their own tagging along – none of whom are old enough to go to school quite yet. It’s not beyond imagination to expect one of them to sit down and bare her breast to a child who is tall enough to stand next to her and feed. That is the kind of island this is – hippies, home-schoolers, people who want to live away from the city. These women can do anything. I can tell. But it is hard for me to reconcile the peaceniks with gunshots. I know that is my own limitation. I accept it. I don’t know if I’ll work to unravel it or not. Right now, I am more interested in why the gunshots are increasing – now coming in groups of three or four. Who is shooting? What are they shooting? Why?
My real desire is for them to stop. I’d like to slip back in to the stillness where the only sound is the beating of the birds’ wings as they lift off of the water or the swoosh it makes when they skid into the bay and touch down.